SUMMER PROGRAMME: Deep Navigators

Artists’ Residency, Subart, Razanj, Croatia, 7. – 21. August 2010

A man walks away into the distance, his figure disappearing into the haze. His movements are tempered by weightlessness but his aim undeterred by the fish that shoal around him. Two swimmers attempt the crossing of a dangerous deep water bay. At risk of losing sight of each other, they keep in conversation via phone, each asking the other questions about how far they have come and how far they still have to go. A woman communicates underwater with her hands, the water stilling her voice, while above an old fisherwoman takes her boat out on the morning tide before the sun has burnt the chill away. She will bring in what little catch there is, yet today is a different day because as her little boat steers carefully around the rocky coast, the GPS receiver she is carrying sketches her watery trail for those left behind on shore.

While a tottering wooden house sails into the sunset over an Adriatic horizon, Trampoline brings to a close its artists’ residency at Sub-Art, Croatia – the fourth event in the Tracing Mobility series.

Participants include: Simon Faithfull (UK/DE); Ksenija Jurisic (CR); Bozo Katic (CR); Marko Markovic (CR); Jelena Pehar (CR); Esther Polak & Ivar van Bekkum (NL)

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Tracing Mobility Warsaw- Evasion Training Camp for Escapists

16 – 18 July, The Knot, Praga Północ, Warsaw, Poland


Image: James Kennard; photo by Karen Fraser

Following hot on the heels of R8R’s success with Tracing Mobility in the UK, the Nottingham festival broadcasts a call to the faithful next week from Poland. From 16 to 18 July, Radiator joins up with the recently billeted Knotland in Warsaw and begins training recruits for flight and fright.

Heath Bunting (UK) & James Kennard (UK)
Bunting and Kennard’s 2 day workshop distils the skills needed for war games or people trafficking into a weekend cocktail of endurance at the fringes of Warsaw’s public spaces. Using only their wits and materials to hand, participants learn to live and travel beyond the reach of the net, skulking in the blind spots of societal control before slipping through the gaping holes left by bureaucratic eddies.

While acquiring weapon and map making skills, those thinking of beginning a life on the run can also pick up important information about how to read a map of one’s social stratification – useful, we imagine, for your defence plea. For those wishing to stay underground longer, establishing a fake identity and travelling for free with forged documents turns out to be child’s play.

Featuring practical demonstrations of ‘the living larder’, ‘river crossing to freedom’ and ‘postal addresses from the edge’, this workshop offers the knowledge for staying mobile to those that rarely make it out of the office.

Workshop Times
Friday 16th of July  - presentation at 8pm

Saturday 17th of July  - 12am to 5pm

Sunday 18th of July – 12am to 5pm

FREE

Taking place at The Knot, Praga Północ, Warsaw, Poland

To book a place in advance, please email mattrivett@radiator-festival.org

The Knot is a mobile production and events platform coordinated by Goethe-Institute Warsaw in cooperation with Polnisches Institut Berlin, E-cart.ro Association, Bucharest and Raumlabor Berlin www.knotland.net

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Tracing Mobility Nottingham Closing Event: Romana Schmalisch


ANNEXINEMA AND TRAMPOLINE PRESENT

Romana Schmalisch: Mobile Cinema

Lace Market Theatre Bar, Saturday 12th June 2010
This will be the closing event to the month long “Tracing Mobility” programme, organised by Trampoline throughout Nottingham this May.

The “Mobile Cinema” is an apparatus that unites experimental lecturing and moving to different places. To be more concrete: it is a reconstruction of a film prop from Alexander Medvedkin’s film “The New Moscow” (1938): a projection and viewing table where an engineer on his journey to Moscow presents his designs and urban visions for the new city – a bizarre model that is somewhere between urban model, cinema, and plate camera.

Similar to the engineer in the film, the artist travels to various places with the “Mobile Cinema” and presents a film archive developed for it. The archive comprises films and filmic research on urban space and urban visions, sequences from feature films, texts and quotations. The various films and also previously unused footage, which the artist regards as an archive, are combined to a cinematographic collage. The film clips address in different ways the changes of urban space and the social changes that come with them.

To date, the “Mobile Cinema” Zurich, Moscow, Rome, Bucharest, Kaliningrad, Vilnius, Kaunas, Warsaw, Berlin Muzychi, Kiev, London, Paris and Yerevan.

For more information about Annexinema visit annexinema.org

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Territorial Play: Camera Explora/ Mark Selby

Camera Explora | MARK SELBY

LOCATION: Exploration across City
DATE: Friday 14 May
TIMES: 12:00pm, 2:00pm, 4:00pm*
BOOKING: *To sign up as part of a test group visit cameraexplora.eventbrite.com/

Image: Mark Selby

Mark Selby creates speculative design prototypes that draw upon emotional relationships with technology.

For Territorial Play he has developed prototype camera, Camera Explora, that uses photography as tool for exploration. Each camera comes with a map of a city to which the camera is configured, and allows one photo for each grid square on the map. When that photograph has been taken the camera is disabled until the next square is reached.

Meanwhile, back in the gallery, machines plot our photographers’ routes through the city. Later, the drawings are overlaid onto the map, and the photos taken are printed and labelled with their corresponding grid reference.

markmakedo.co.uk/

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Black spot need 40+ Volunteers for Mob Experiment


Black spot* need 40+ volunteers to participate in a mob experiment as part of Territorial Play on Friday 14 May. You will need to make yourself available between 3pm & 6pm on this day to arrive at a series of specific locations at very specific times. Reconvening at the Territorial Play HQ, Broadway Cinema & Media Centre, Nottingham at 6pm.

This live public intervention uses the same format as a flash mob but is more specifically consumerist** in context. By transposing the network architecture typical of online services into a physical environment we hope to subvert the everyday mechanics of real world consumerism. You will also document the event yourselves and write “snail mail tweets” (ie. postcards) which will make up a secondary artwork.

For more information and to receive your instructions contact mattboynton01@hotmail.com or call 07941 869368

**you will be required to purchase a few items totaling no more than £3.
*Black spot are a group of visual artists from Coventry, UK. Through a collaborative process we have created a voice different to any of our individual practices.  Fresh perspectives can be found, which allow us to shape and be shaped by the experience of the production and reception of the work.

coventryblackspot.blogspot.com/

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Surrogate Performer Needed for Remote Performance


As part of the Territorial Play event that launches the Tracing Mobility programme Chris Cuellar is inviting one performer to switch places with him in Chicago for the day using a mobile phone to occupy space in Chicago whilst being present in Nottingham.  ***You will need to be available in Nottingham between 4pm and 12am on Friday 14th May and have access to a GPS enabled phone with a mobile internet data plan.

You will be invited to walk through the city for this duration, transmitting your location to a the Sullivan Gallery, Chicago and providing commentary on what you can see and/or experiencing via Twitter.

As the ubiquity of location-based web services increases, this project asks what it might mean to read a person or landscape like a newsfeed. For this extended performance, I will be transmitting my locations with verbal commentary in real-time via Twitter & Google Maps to the Art Institute of Chicago’s Sullivan Gallery in the USA for a period of three weeks. On May 14th, I will be re-routing the feed to the Broadway Media Center in Nottingham for the Territorial Play event. Meanwhile, a surrogate performer in Nottingham will “switch places” with me and simultaneously transmit their locations back to Chicago in real-time during gallery hours (5PM-12AM UK time).

Technical Requirements: Mobile-enabled Twitter account & GPS-enabled smartphone with Instamapper app (free download @ http://instamapper.com). The Instamapper app will work on iPhone, Android, or Blackberry devices (NOTE: the app will NOT run in the background on iPhones).

Performance Considerations:
The goal: Total Mobile Transparency. Run the Instamapper app whenever you are moving, ideally for the entire length of the performance (7 hours). Tweet as much as possible, at least once a minute, commenting on whatever catches your attention.

Optional: Use the Situationist notion of the derive (the passive drift through space) to guide your movements. One pattern I have been experimenting with is the spiral. In practice, this motion quickly becomes an easy way to “get lost.” Other possibilities: imagine yourself as a kind of virtual ‘tour guide’ for a remote audience, with your movements enabling them to “see” what you are seeing.

To volunteer yourself as the surrogate performer please contact Mat Trivett by emailing mattrivett@radiator-festival.org you must be available for the full duration of the performance.

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Out of the wilderness: Daniel Belasco Rogers MRL Residency


Following a period of research in the wilderness whilst embarking on artist’s retreat Going Solo, Daniel Belasco Rogers will develop his findings into new work whilst in residence at Nottingham University’s Mixed Reality Lab (MRL). Daniel Belasco Roger’s will be talking about his experiences at the Tracing Mobility Symposium on May 15 at Nottingham Contemporary during the Uneven Geographies exhibition.

MRL hosts this unique artist’s residency with the artist Daniel Belasco Rogers from plan b. plan b is a collaboration between Belasco Rogers and the artist Sophia New. They create installations, work on paper, durational performances, locative media projects, walking and theatre pieces. Mixed Reality Lab is an experimental research lab looking at Human Computer interaction (HCI) which provides artist’s residencies that utilise their facilities and technical expertise.

Click here for more information about the Symposium

The Symposium is a free event related to Nottingham Contempory’s forthcoming Uneven Geographies exhibition. Booking is essential

To book tickets for the Tracing Mobility Symposium click here

For more information about plan b’s work planbperformance.net/
You can find out more about MRL and it’s research by visiting mrl.nott.ac.uk/

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Tracing Mobility Symposium: Booking Now Open

Image: Open_Sailing

Cartography and Migration in Networked Space

Symposium #1 of 3

registration from 9.30

10am to 7pm, 15 May
Nottingham Contemporary

Tracing Mobility, the first of Radiator’s three international symposia, examines the emergence of a new art space, a space born out of the technology used to control and divide society. Taking place at Nottingham Contemporary on Saturday 15 May to coincide with the Uneven Geographies exhibition.

Presentations by artists and speakers from diverse fields as geography, urban theory and computer science will explore what constitutes being nomadic these days and how developments in networked and open source infrastructure are transforming our expectations of ‘Place’.

Participants include; Frank Abbott (UK); Active Ingredient (Rachel Jacobs); Heath Bunting (UK); Simon Faithfull (UK/DE); James Kennard (UK); Plan b (Sophia New & Dan Belasco Rogers) (UK/DE); Robin Bhattacharya (UK/CH); Kasia Krakowiak (PL); Krzysztof Nawratek (PL/UK); Kate Rich (UK); Michelle Teran (CA/DE); Open_Sailing (Ollie Palmer) (UK); Gordan Savicic (AT/NL); Trebor Scholz (US); Basak Senova (TR); Société Réaliste (HU/FR); Joanna Warsza (PL); Mushon Zer-Aviv (IL/US)

This event is free but booking is essential. Book tickets here

For more information about the symposium please visit Tracing Mobility Symposium
Follow Tracing Mobility on Twitter @tracingmobility

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Forth day – Evening


On my way back to Schiphol airport, I downloaded my GPS hiking data and made marks on my reading spots.

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Forth day – Morning


First I spend my morning packing and going over the “Crisis in Darfur” project in Google Earth. The hotel, maybe this is even the reason why we are hosted here, provides for a perfect Internet connection so that works fine.  When done there is still time for a walk and some last field reading. So this means that I do manage to finish my fifth article: Writing Within the Map by Jeremy Hight.

Both articles deal with the possibilities of “publishing” a subjective, personal or even manipulative story on a (existing) digital map. This is discussed as in contradiction to the more traditional means of a linear story telling or even an interactive website. Both articles compete each other: the Parks article concentrates totally on the example of the  “Crisis in Darfur” project, and never really dives into the possibilities of Geo-Story-telling in general. The Hight article on the contrary, speculates enthusiastically on possibilities of Geo-Story-telling, but never so much gives any already existing example. Interesting observation: Hight emphasis several possibilities of the representation of historical spaces, (for example buildings that might not exist anymore)… while Parks’ mayor criticism on the “Crisis in Darfur” Project is that the Google Earth layer never offers for exact dating of the events it publishes about. And this is true and indeed frustrating as I experienced this morning: I can zoom in on destroyed and damaged villages but non of them were very exact dated, nor were the possibilities of “timeline” utilized that are capable of showing the course of events very neatly, even “animate” them, as other Google Earth Outreach projects, do use.

Parks’ other point of criticism is that although Google and the USHMM claim that the projects goal is a better protection of the Darfur civilians, all they talk about when it comes to project boosting is the amount of press coverage, amounts of downloads and media attention. They never seem to pay attention to the practical result of the project in terms of actual humanitarian effect. Cynical point is that people living in Sudan cannot even cutinize the project themselves, given that US export controls and economic sanctions against Sudan prohibit people in that country from downloading US software. (Parks, 2010) Anyway, what the article leaves me curious about is how Lisa feels about possibilities of the using a map (whatever map) as a platform for story telling (whatever story telling). Is the project a missed opportunity, or can we still use it as a learning experience for and Ginny Pig of what digital geo- story telling could offer? Let’s forget for a moment about the political issues for the sake of geo-storytelling development….. In that case it might be more interesting to compare different projects in the Google Earth layer, and or discuss what it brings to flight around 3D models of buildings. This is exactly what Hight touches upon is his article, but he never mentions the Google Earth possibilities nor Schetchup 3D buildings although the thought of these obvious examples forces itself upon me whilst reading. But maybe I have been a little bit to much focused on Google Earth lately…..

What the Hight story leaves me curious about is how he feels about the projects in the Google Awarness layer or is Google Earth outreach, and .kmz files as a platform for the kind of story telling he advocates. But luckily the Locative Media scene is rather small, so I will send all authors of the articles an email and ask if they would read this blog and hopefully even leave a personal comment.

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