trampoline artists December 2005
Raffles Art Gallery 28th November - 4th December
10am-4pm
Rokeby
Isabel Valverde
Karolina Sobecka
Ovarium
Evelien Krijl
Isabel Spengler
Perfurbance
Opening 28th November 7-10pm
Furryhand
Jo Lamming
Dr. Lobotmo
Broadway Cinema 1st December
Screening
VINST
King Bad Boy
Bologna Pony
Rokeby
Tokyo Stream
Chie Hosaka
Matteo Peterlini
Heather Burrt
Ian Nesbitt
Low Brow Trash
Submegrency
Nowhere Plains
Oliver Perry
Rokeby
| Exploration
Of The Soul is a video installation and live brainwave performance by the Cyborg artist
Rokeby; mapping brainwaves, emotional landscapes, personal experiences,
with biotechnology, spirituality and live art.
A video triptych, hung in a darkened space displays a neurological map of the cyborg's brainwave activity. The peaks of each brain state are annotated and contains the memories and experiences of human subjects he has encountered inhabiting the emotional landscape and life conditions of the Buddhist Four Lower Worlds – Hell, Hunger, Animality and Anger. The central panel displays the human subjects existing in these emotional states and life conditions captured as video portraits being interviewed by Rokeby . Throughout the week Rokeby will continue to add new experiences to this map and installation through interacting with the people of Nottingham in the streets and within the gallery. For 1hr each day Rokeby will give a performance lecture of the Four Lower Worlds, converting his brainwaves into music and reciting the Cyborg Sutras. |
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Isabel Valverde/Yiannis Melanitis
| What
happens if two persons meet/date in a dark room completely blind to
one another if not for avatars that represent them as seen through VR
glasses? At a computer interface, (close by or remotely if extended to
the internet) two other participants move the avatars on the screen
while watching the performers' response. The shared networked screen
functions as an intermediate apparatus between the participants' 'free
motion' and (outer) control. In addition, a responsive sound system
informs the performers about their relative proximity. In this
metaphor/actualization of the power of society/mind’s power over
subjects/bodies, users instruct the performers to follow limited
movements. The ‘visual imposition,’ however, interlaces with the
participants’ physical contact (improvisation) providing an unstable
motion equilibrium. |
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| Pornographic Pursuit No. 2 is an interactive video installation. A participant stands in front of a screen, onto which a video of Marilyn Monroe is rear-projected. The video is stopped on the first frame. To advance it the viewer has to run. The faster he/she runs, the closer to the normal speed (30 fps) the video plays. Marilyn in the video strips to her panties and plays erotically with a coke bottle and an apple, flirting with the camera/viewer. When the viewer stops running, the video starts playing backwards slowly. As the audience gathers, the viewer soon realizes that he/she and his/her pursuit became the spectacle. When the viewer stands still, walks or doesn¹t run fast enough the video plays in reverse until it reaches first frame and is stopped. This installation uses footage from Bruce Conner's film "Marilyn Monroe". | ![]() |
| www.ovarium.org | ![]() |
| Close and playful examination of the body through the use of video | |
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The
film „Permanent Residents“ combines extreme costume design with
staged documentation of everyday activities in the urban space of Los
Angeles. The costumes point
to a collective imaginary world, that consists of the floating
signifiers of pop-icons, myths and social fictions. The
protagonists of the film communicate in a non-verbal language across
spacial distances. Their simultaneous movements at different locations
merge into a choreography, which draws our attention to musical and
abstract visual aspects in the design of our environment. A
portrait of the city‘s influence onto its residents. |
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| Perfurbance is a performance festival which took place in Yogyakarta, Indonesia earlier this year. Exploring the relationship between urban space and the body a whole series of events and performances took place throughout this historic city. | |
| Circuit bending terrorist in shorts | |
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Interactive sound performance which involves
deconstructing battery operated devices, such as
children's toys, and manipulating the
circuits out of them in an attempt to create and play with sound in a less
conventional manner.
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| Dr. Lobotmo shall be enlightening his audience with his insightful yet manic lectures in dissection |
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A screening will be taking place on 1st December 5pm in Screen 1, Broadway Cinema and 8pm at Screenroom Artists include: Jan Steinum Leaving
4:30 minutes A
short experimental art film exploring time and departure. Midnight
on a desolate city street - a man retreats slowly from close-up. His presence and movement seems out of
sequence with the location, he is "alien" out of place
- wrapped only in a curtain, carrying a ladies handbag. In the
background a large, prominent public sculpture - a metronome - reminds
us continually of the pressure of time passing. Silver Seeds directed by Kim
Collmer Using stop motion
animation, Silver Seeds displays a place of technicolor brightness,
fabricated gardens, glittering garbage, and places far away from home.
In this tale, two friends, who live in a secret world of plastic plants,
embark upon a magical journey. Traveling upon a giant flower, they fly
up into the night sky to explore another world. This cosmic castle
strangely mirrors elements found in their own environment. PRISM/PRISON Brian Fay This work deals with the figure and its interface with space. The architectural space of the corner and its psychological implications are examined. The figure is trapped within the structure as well as supporting it. |
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The aim of this
ongoing project is to liberate the voice from the constraint of language
and the thinking mind - in an attempt to offer
alternative modes of human communication.
VINST is an interactive installation and performance enabling real-time control of both sonic and visual representation of the voice - thus creating an extraordinary fusion of human body sound and video. VINST is a highly sensitive vocal instrument consisting of my body image displaying points of sonic sensitivity that can be triggered and played by the viewer. The sounds are pre- or non-linguistic, and are (usually) somewhat anatomically appropriate: for example, low frequency sounds such as ‘UUUU’ or ‘OOOO’ resonate in the lower part of the body, and so are sited accordingly on VINST. This vocabulary is in evolution, as is its accompanying system of annotation. Users will find that VINST is truly interactive as it will respond to touch but also to mood and sensibility and is capable of reacting quite unexpectedly. Applying (wacom pen) pressure and movement over the VINST body triggers a variety of sonic responses as well as real-time granular synthesis and image manipulation. Playing VINST can be an intimate or moving or cathartic or playful or sensual experience. Watching/listening to VINST being played is always fascinating and hypnotic as the instrument reponds so differently from individual to individual. |
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| Fast furious maddening hip-hop | |
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Following in the footsteps of Earth, Sunn 0)))
and Hototogisu, Bologna Pony will be providing their unique
flavour of improvised noise/drone
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| Rokeby shall be drawing the Trampoline audience into his mind, generating sound patterns via his brainwaves. | ![]() |
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Nottingham and Tokyo will be brought together by a
live stream in which performative exchange and collaboration take place.
Involving students from Nottingham Trent University and Musashino Art University, Tokyo. Go to the following link to watch the live stream: |
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| Animation with a human touch | |
| V6: In our age dictated from the absence of presence, which ideal of beauty can be expressed? Images of six girls made of pixels are regulated from algorithms, being stirred, cancelled, forgetting their own identities and being recomposed a new. |
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Keep smiling. Keep smiling. Keep smiling. Keep
smiling. Keep smiling. Keep smiling.
Video work |
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How can we communicate in new ways through our
computers?
Video work |
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Model CitizenWho or what is the Model Citizen? Model Citizen is a site-specific work that is ideally suited to a shopping centre or street. The work consists of a large projected image placed in a shop front/window and the images react to the movements of passers by, by using motion-tracking technology. The work examines the concept of Model Citizen: are we born to be Model Citizens or are we manipulated into being so? And for some of us where and why does this go wrong? The work uses various reference points in life and transforms these into image statements that are then layered on top of each other to give contrasting views and opinions on the subject. Model Citizen works with layered imagery; a camera registers the movement of the passer by, they are transformed into a projected silhouette, this silhouette in turn becomes a 'window' to the second layer of imagery, creating a multi-layered visual language. A public artwork that has the 'public' as the focal point. |
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As global cities become increasingly homogenous, is
it possible for anyone to carve out a space of their own? Join the
artists as they inhabit the uncharted depths of a swimming pool and
reconstruct Nottingham underwater. Collecting and constructing objects
at Angel Row Gallery (The LAB) to be distributed at the bottom of the
pool at Surface Gallery, Rothenberg and Semenec invite participation,
both live and online, in helping to create sub/merg/ency. www.submergency.com |
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Nowhere Plains is a literal translation of the Latin
name Utopia Planitia, which was the site of the Viking 2 probe’s
landing on Mars in 1976. Utopia was chosen by NASA firstly because it
was an enormous and relatively easy target, and secondly because it was
considered safe and flat. ‘Nowhere Plains’ explores the idea of
“boring” places with “nothing” in them, of which Utopia Planitia
is an almost unimaginably vast example. |
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| How is our relationship to a projected video camera image different from the scene itself? Mediating an image through technology substantially changes our perspective. Oliver Perry explores his surrounding environment through the use of video camera and projector in an act which begins to question displacement in time and space. | ![]() |